Critiques. If you are an artist, you cannot escape the
universal useage nor overexposure of the word, "Critique." It is used randomly
about the art world to the point where you either embrace the concept or reject it entirely.
In art, Critiques are used in grade school, in art lessons, art lectures and schools of every calibre. But without
a doubt it has gained widespread usage on the Internet message boards! But is a critique really what all these
artists are asking for?
A definition of the word:
"Critique has been used as a verb meaning "to review or discuss
critically" since the 18th century, but lately this usage has gained much wider currency, in part because the
verb criticize, once neutral between praise and censure, is now mainly used in a negative sense. But this use
of critique is still regarded by many as pretentious jargon....."
Ouch. But let's truly analyze what a Critique is supposed to
do and I cannot say it any better than a friend of mine did when asked about a Critique on a message
board recently:She surprised me when she laughingly confessed that the previous year she had skipped that
opportunity because she was afraid that she would have no time to re-stock her pottery when she sold out at
the show held two weeks earlier.
"Ah, critiques...
critiques do two things--
1. Establishes that the work has come to the point where the artist's abilities have reached their limit with
that particular vision,
(or they've run out of time as in a classroom environment or commission, e.g.)
and...
2. The people who are critiquing have two issues--
a. They are not all trained in the language of
design and communication to reach clarity with the artist about what needs to be done and WHY,and because of
that
b. they then bring into the discussion their
own personal tastes and responses to the work, which may alter the directional vision of the artist, or worse,
totally obscure the need for any design changes that would improve the work. (All the "attaboys" without
content.)
Sometimes critiques can be harsh if the person posting does it to receive positive response. Many early
learners face this reality when their design and drawing knowledge come to the fire and someone points out a design
issue that needs correcting (in their opinion).
I don't offer critiques much any more, unless it is one-on-one where I can be certain the person hearing my
words understands the reasons for my saying
them."
Elin P.
My friend's definition was so well put that there was no way to
improve upon anything that she said!
So we go back to what the requester of a Critique is REALLY asking! And this is where you must be critically
honest with yourself! Do you want a critique (possibly at the hands of someone you should NOT be taking
advice from) or a pat on the back?
We never outgrow the need (and fun) of Show and
Tell. That is good!
But whereas a real critique in a controlled environment by persons
whose advice you respect can be invaluable to you as an artist, more than likely what you are going to get is
someone's personal opinion. And that will happen 99% of the time you open up your work and
abilities to a mass critique or an art group. Be careful what you wish for!
Theresa
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