“The Single Mom’s Guide to Making Money as an Artist” Audio Book CD – How do you, a single mom with children, use your  artistic skills to bring home additional money for your family? What can you create to stretch that ridiculous child support check? How can you pay  for luxuries when you can barely afford the necessities? Single mom artist and author, M. Theresa Brown, raised four children entirely on her art and craft abilities and discovered that self made money is power. It is the power to help yourself, your children and to make the right  choices. In this remarkable and unique audio  and ebook package, she shares real information  and methods to help other single mom artists  take control of their lives with their artistic skills!

https://www.jerrysartarama.com/discount-art-supplies/Books/Audio-Books-for-Artists.htm

Arlington, Mass. – The highly acclaimed documentary, “Who Does She Think She Is?” by Pamela Tanner Boll, delves into the lives of five women artists, and their struggles to explore their artistic calling while balancing the expectations of family life.

Experts interviewed in the documentary include Riane Eisler, author of “The Chalice and the Blade: Our History, Our Future,” Maura Reilly the founding curator of the Sackler Center for Feminist Art at the Brooklyn Museum, and Leonard Shlain, author of “The Alphabet Versus The Goddess.”

Boll, who also co-executive produced the documentary, “Born Into Brothels,” recently discussed her film.

Q: What prompted you to pursue this particular project and now that it has been realized, how has it changed you?

A: While I had managed to paint and to hold some shows of my work as well as to write and to publish some of this work … while my children were at home, I always felt I could have been doing more. When the boys entered their teens and began to pursue their own interests, I was bereft. I had been at the center of their world for so long and missed this. At the same time, I felt that I had neglected my own early promise — I was in my mid-40s and had no book to my name and had few exhibitions of my work.

Then, I attended a documentary film that a friend had produced. She and I used to teach writing at Harvard in the mid-nineties. With no previous experience in film, she had produced an extraordinary film, “The Day My God Died,” about sex trafficking in Nepal and India. I sat in the audience in tears at the beauty of this work, at it’s power and at its meaning. I wanted my work to have this same kind of resonance and scope. Soon after, I heard about Maye Torres, a woman in her mid-forties with three teen age boys like me, who was making her living with her art. She lived in the desert on the far side of the Rio Grande in New Mexico. I wondered how she was able to continue to make art when it paid so little and when she had the care and responsibility of these children.

Six months later, after having dreamt of Maye, I flew to New Mexico to meet with her. The moment I saw her, with her long black hair knotted down her back, huge smile and stunning work, I knew I wanted to document her life. That was the beginning of “Who Does She Think She Is?”

Q: How does “Who does she think she is?” reflect your own life, and your struggles with family, work, and your instinctual creativity?

A: As a young woman, I studied art and also creative writing. I pursued both of these disciplines through college, and wrote a book of poetry for my Senior Thesis. However, I decided not to pursue either as a career; I felt it would be too difficult to make a living from the blank page. Instead, I went into Publishing, where I thought that helping other’s realize their creative projects would be fulfilling.

For the next twelve years, I worked in the business world–first in publishing, then international grain trading and then for a start up records management company. Each job was challenging in certain respects, and each earned me a reasonable salary. But, in truth, I was deeply bored by the work itself.

My husband and I then had our first child. I had planned on going back to work. But, on my son’s birth, I could not imagine leaving him to go back to writing about underground record storage. I fell completely, madly in love with this little boy and soon had two more sons. I loved taking care of them and was also constantly worried about how to do the best job. This nurturing of a new being was the scariest, most absorbing, loneliest, most exhausting, joyous and most compelling work I had ever done. I began to write out of desperation, to make sense of it all. Soon after, I began to paint again, too. It was as though the birth of these children brought me back to my creative self. I had no choice but to put all that I felt and thought onto paper — after such a long leaving. They woke me up.

Yet, even as the birth and care-giving of my sons brought me back to creative expression, I was constantly torn between fulfilling their needs and making time and space for my own need to create. For twenty years, I have juggled these two — and have often felt that I was in the wrong place at the wrong time. Particularly when the boys were little, I felt my heart was being torn out, as I tried to leave the house to go write. They would cry and cling to me, begging me not to go.

“Who does she think she is?” is the result of struggling with these issues.

Q: This film focuses largely on the struggles that women go through to balance family obligations with their art, but what do you think it has to teach other would-be artists (namely men) striving to pursue their calling?

A: While I focused on the struggles women go through, I feel that this is actually, a universal story. It is the story of how one does the work they feel called to do while taking care of the people one loves. It is about pursuing a dream and not leaving those one loves behind.

I focused on “artists” because art is often dismissed as a hobby. It is not considered “real work” — and this is true even if done by a man. Artists rarely are able to make a living at their work — and this holds true for writers, painters, musicians, dancers, storytellers. Yet, without visual images, without music, without stories, what kind of life would it be? So, one question is how do you have the courage to pursue work when it does not pay, when it is dismissed by society, and even by those around you?

Many men have told me that they can relate to the stories in this film. I think many men feel as caught by the need to “make a good living” in order to support themselves and a family, as these women do in struggling between the extraordinarily important work of care giving and their expressive work.

Having said this, I do feel that women are in a particular and peculiar position in regards to creative work. For most of history, women have been seen as the Muse or the subject of art, the role of Mother, of nurturing is often portrayed as the highest calling, and yet, it is not paid. The face of poverty around the world is not a man — it is a woman.

Women do the unpaid work of care giving, birthing taking care of little ones–with the understanding that a man and his paid work will support her. This system is such that 70 percent of those earning less than $2 a day are women. So, how does this relate to the arts? Well, women who have the responsibility of care giving who then take on the often up paid “work” of the arts is doubly at risk of poverty.

Q: What did you learn about yourself, and the struggle of balancing the many aspects of life, through your interviews with the women featured in the documentary?

A: One of the best things I learned was that despite my fears that I had not pursued my calling as an artist — that I was more like the women I interviewed than not. They each felt torn between their creative and nurturing work. They each felt that they had just little bits of time to do this work. In interviewing each of these women, I could look back and see that what seemed piecemeal and unsatisfactory about my writing and painting, was, instead, preparing the groundwork.

Since finishing the film last spring, I have written a creative thesis for my Masters Degree, published several of my short stories and essays and have begun to put together a project for a book about creativity.

Another good thing that came out of this project was that my sons have a new understanding of my life and my values and a new respect for me. Each of my sons have worked on the film at one time or another. My oldest has worked as a camera assistant and went on several shoots. My two younger sons have helped with promotion and have attended many screenings. It has been an extraordinary gift to be able to bring my sons into my life in this way … and it has been a gift to them to see their mother doing work she is passionate about.

From the director’s chair: ‘Who Does She Think She Is?’

By Eric Tsetsi

Mon May 04, 2009, 06:30 AM EDT

Sometimes I wonder what we all did before the computer?  I used to write in diary type journals and kept a garden journal complete with layouts and sketches. I would sit under the sycamore tree on a nice morning, coffee in hand, dogs at mt side and write quietly. When my children were very small, I got up an hour early and actually worked on cross stitch!

Now I still have coffee in hand in the morning. The dogs don’t lie next to me but wander around on the hardwood floors wondering if I’m going to feed them yet and I type away on my blog journal!  Of course I have to check emails….and that may lead to the news, a joke, a forward, deleting junk mail  and the next thing you know….2 hours are gone.

I usually have something to show for it. But I will not unless I plan!

So I have started getting up earlier and while the coffee splutters and computer is cranking up (broadband) , run up and down the outside length of stairs. A lot.  Nothing like exercise to get the heart and lungs working!  Plus I feel less guilty!  Coffee ready, computer on, I quickly scan the email. If there is nothing of immediate urgency, I stop. Feed dogs. Get moving to studio and outdoors.

Any change in your daily routine is good if it gets you away from things that tap into your creativity and energy.  Life is real and it happens and we cannot always control what happens but we might as well try to control SOME of the things.

An artist is different than most people. No matter how business like an artist may be or how focused, there are those moments where an artist MUST re-energize. It doesn’t take long. But one very simple method IS to move away from the computer!  I do not have a Blackberry right now. Maybe later I will.  But  right now, when I am away from a computer, I want to be away

If an artist is not careful, then some of the online avenues designed to help him or her in actuality, become anchors to their careers!  Just as we have seen friends become addicted to online computer games, so it can happen with Twitter, Facebook or any of the many many online social networks that occupy many people’s time. The computer takes away from studio time. It takes away from family time. It can take away creativity!

UNLESS you take steps to monitor you time and make the most of the time that you do spend on it! The computers will not go away. Use them to enhance your life and your career. But set your own limits just as you do with your art. So many hours here, so many areas there. I have actually made a list of what I need to check when I go online.  It has worked well. Otherwise I get caught up with mundane topics that simply take up my time!

It does not work every day. I am not my usual disciplined self today BUT hey I am sharing this blog with you! The only time most of us use our computer time wisely is if we have a busy day planned or an appointment scheduled. But think of what you would accomplish if you had that attitude every day !

So  run a test!  Make a list of the areas that you HAVE to check and do it in a timely manner. Reply, post, lurk, etc. but then, walk away.

And as to that hand written journal that I used to keep…well maybe I’ll get into that journaling art everyone is mentioning…it’s nota  new concept  but maybe, just maybe, an early morning hands on project is good for the soul!